Oil painting by Gerald M Burn (1859-1945). British shipyards and naval personnel were instrumental in the development of the Imperial Japanese Navy as a modern fighting force in the late 19th century. The battleship 'Fuji' was built for the Japanese Navy by the Thames Ironworks & Shipbuilding Co. Its design was that of contemporary British first clas battleships but with important modifications, in particular the hooded barbettes and the cut-away deadwood arrangement of the stern which enabled her to turn more rapidly. The Thames Ironworks closed some 20 years later.

Price: £ 100.00

More info: Launch of the 'Fuji' at Blackwall, London, 31 March 1896.

Oil painting by Gerald M Burn (1859-1945). British shipyards and naval personnel were instrumental in the development of the Imperial Japanese Navy as a modern fighting force in the late 19th century. The battleship 'Fuji' was built for the Japanese Navy by the Thames Ironworks & Shipbuilding Co. Its design was that of contemporary British first clas battleships but with important modifications, in particular the hooded barbettes and the cut-away deadwood arrangement of the stern which enabled her to turn more rapidly. The Thames Ironworks closed some 20 years later.

Price: £ 100.00

More info: Launch of the 'Fuji' at Blackwall, London, 31 March 1896.

The painting may have been a design for a tapestry, or if not is laid out like one, and is dateable to the years immediately following the event. The composition appears less like a painting than as a formal design in a mannered style but no other contemporary image of the Armada conveys a comparable sense of the drama and colour of the confrontation between the two fleets. Although it is not exactly clear which part of the battle is shown (if indeed it is literal at all), it is most likely to be the action of Gravelines, the only point at which large numbers of ships from both sides were engaged in sustained conflict.

Price: £ 99.99

More info: English ships and the Spanish Armada, August 1588

This scene of yachts at sea has the vibrant quality of an oil painting. Now you can have fabulous artwork in a size to fit your space! The high-quality image resolution (on paper or canvas) creates exceptional clarity, depth and richness of colour that really enlivens your walls. Simply select the desired frame option, then the size. You can go for the modern ‘frameless’ look, have a contemporary ‘rim’, or an elegant frame for the finishing touch. Your finished piece will be made up and delivered within 14 working days. Handmade from ash wood, the frames and rims come in a choice of light natural colour, or a chocolate brown stain. Each is finished with a wax coating that protects and shows off the natural grain. Framing options, explained Frameless: A canvas print stretched onto a concealed wooden frame; comes ready to hang. Rim: A stretched canvas print sat in a wooden panel, which creates a ‘boxy’ look when hung from the wall. Frame: A paper print...

Price: £ 90.00

More info: Ocean Surf, Frameless, 60 x 80cm

The painting may have been a design for a tapestry, or if not is laid out like one, and is dateable to the years immediately following the event. The composition appears less like a painting than as a formal design in a mannered style but no other contemporary image of the Armada conveys a comparable sense of the drama and colour of the confrontation between the two fleets. Although it is not exactly clear which part of the battle is shown (if indeed it is literal at all), it is most likely to be the action of Gravelines, the only point at which large numbers of ships from both sides were engaged in sustained conflict.

Price: £ 84.99

More info: English ships and the Spanish Armada, August 1588

Traditional Contemporary art print, poster (59 x 43 cm)

Price: £ 84.95

More info: Painting by numbers 2 by Charles Monteith Walker

A Poor-House. This painting was probably inspired by Doré's visits to the East End in 1869–70 to gather material for London: A Pilgrimage. The scene shows a gathering of the poor in a common lodging house or night refuge. Doré was sometimes accused of 'inventing rather than recording', but this wretched interior echoes contemporary engravings of London's lowliest lodging houses and their long-suffering clientele.

Price: £ 80.00

More info: A Poor-House: 19th century

The Falcon Glassworks. An interior view of the works in Holland Street, Blackfriars. It is the earliest known detailed painting of the interior of a London glass house, the largest in the first half of the 19th century. The contemporary arrangement of the glasshouse (built c.1820) is clearly shown, with central chimney supported on columns with separate furnaces connected to it.

Price: £ 80.00

More info: The Falcon Glassworks: 19th century